Difference between revisions of "Photographing meetings"

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[] Quickly flag photos you think are good for whatever reason. Include duplicates if you can't decide
[] Quickly flag photos you think are good for whatever reason. Include duplicates if you can't decide
[] Resolve duplicates (i.e. choose only one photo from a series of duplicates)
[] Resolve duplicates (i.e. choose only one photo from a series of duplicates)
[] Start crafting a story
[] Craft a story
[] Look for a diversity of people and perspectives
[] Look for a diversity of people and perspectives
[] Pick your strongest photos. Be disciplined!
[] Pick your strongest photos. Be disciplined!
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* Get close!
* Get close!
* Rule of thirds
* Take wide photos
* Take artifact photos to help tell the story
* Take environment photos to help tell the story
* Take photos of everyone
* Take photos of everyone
* Capture artifacts
* Capture all artifacts
* Capture emotion
* Capture emotion
* Take interesting compositions
* Take interesting compositions
** Don't center compose everything
* Group photo!
* Posed photos of people together
* Portraits


== Story ==
== Story ==

Latest revision as of 23:52, 14 September 2021

The key to documenting meetings well via photography doesn't start with the actual taking of pictures. It starts with the editing, the curation.

Editing Photographs

Not post-processing. It's the selection / curation process.

Take lots of photos. Then:

<chklist> [] Delete photos where people look bad — e.g. eyes are closed, mouths are open [] Quickly flag photos you think are good for whatever reason. Include duplicates if you can't decide [] Resolve duplicates (i.e. choose only one photo from a series of duplicates) [] Craft a story [] Look for a diversity of people and perspectives [] Pick your strongest photos. Be disciplined! </chklist>

As you practice editing, be conscious of what makes a strong versus weak photograph. Remind yourself of this before your next session taking photographs. Be nice to yourself! Great photography takes practice!

Taking Photographs

  • Get close!
  • Take wide photos
  • Take artifact photos to help tell the story
  • Take environment photos to help tell the story
  • Take photos of everyone
  • Capture all artifacts
  • Capture emotion
  • Take interesting compositions
    • Don't center compose everything
  • Group photo!
  • Posed photos of people together
  • Portraits

Story

W. Eugene Smith concocted this formula for telling stories through photographs for Life magazine:

  1. Introductory or Overall: Usually wide-angle or aerial shot to establish scene.
  2. Medium: Focuses on one activity or one group.
  3. Close-up: Zeroes in on one element, like a person's hands or an intricate detail of a building.
  4. Portrait: Usually either a dramatic, tight head shot or a person in his/her environment.
  5. Interaction: People conversing or in action.
  6. Signature (The Decisive Moment): Summarizes the situation with all of the key elements (character, action, theme) in one photo.
  7. Sequence: A how-to, before and after, or series with beginning, middle, and end.
  8. Clincher: A closer that would end the story.